This work references the accumulation of detritus around Berlin and how it has become a tourist attraction. The idea of dysfunction as tourism provides a reflection on future reconstructed models that may inhabit the space as both substitutes and commodities when the reality is cleaned-up.
Courtesy of Helen Gory Galerie
paper, foamcore, adhesives
20 x 15 x 11 cm
Finalist
Judges of the 2008 Woollahra Small Sculpture Prize: Edmund Capon AM OBE (Director of Art Gallery of NSW) and Deborah Edwards (Senior Curator of Australian Art at Art Gallery of NSW).
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